Workshop and Framing Demonstration this Saturday, March 23, 2013

This year’s workshop for the Artisan Shop at the Spring Exhibit of the Nature Artists’ Guild of The Morton Arboretum will be very special.  Not only will we be creating items for our fundraising table at the upcoming exhibit, (please bring acrylics, brushes and a water container, as well as sketches or reference materials in your choice of subjects from nature), we will also have the chance to learn about framing from professional framer (and member), Evelyn Grala! Picture Framing

From 9:30 until noon, we can work on our handmade items for the exhibit, and then from 1 pm until 3 pm, Evelyn will show fellow Nature Artists’ Guild members – how to choose frames that will enhance your artwork, how to creatively re-use frames, how to choose standard frame sizes for ease and economy, the do’s and don’ts in preparing for an exhibit, and finally, a framing demonstration for the “do-it-yourself” artists!

If you can’t stay for the whole workshop, please stop in any time between 9:30 am and 3 pm, work as little or as much as you like, or even take an item home to work on. The workshop takes place on Saturday, March 23, 2013 in Classroom C at Thornhill.

Update – Please enjoy these photos, thanks to Carol Carls, of the Spring Workshop participants hard at work!

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Illumination

Ranunculus, © Carol Jean Rogalski, Watercolor and 23k gold on Vellum
Ranunculus, © Carol Jean Rogalski, Watercolor and 23k gold on Vellum

 On March 7, 2013 at 7 pm in Thornhill, we will have the pleasure of attending a program by one of our own members, Carol Jean Rogalski, as she shares with us the history and techniques of Illumination. 

Prior to the development of the printing press, original illustrations were used to enhance medieval manuscripts.  These glowing  illustrations included the use of silverpoint, egg tempera and illumination with gold on vellum.  Carol Jean Rogalski has spent years traveling to museums to view these early examples of illustration, while also learning and practicing these early techniques. She recently completed a techniques demonstration for the ASBA at The Chicago Botanic Garden in October, 2012.

Many of you may know Carol Jean as an instructor in The Morton Arboretum’s Botanical Art and Illustration program, and may have seen examples of her stunning illuminations in our Nature Artists’ Guild exhibits.  You may also remember Carol Jean as one of the three short–program demonstrators at our “Artist Trio” event last summer.

There has been so much interest in and fascination with Carol Jean’s artwork and techniques that we have asked Carol Jean to return for a full-length program that you won’t want to miss!

 

“The Effects of Light on the World Around Us” with Scott Harding, February 7, 2013

Our first program of the new year will feature award-winning artist Scott Harding.  Scott works primarily in oil, but is also well-versed in pencil, watercolor, pastel and intaglio printing.   His work is described as “realistic, with an impressionistic touch”, and covers a wide range of subject matter.

Scott’s work has been featured in numerous galleries and one-man shows, and has won awards in several national competitions.  His art is included in many private and corporate collections around the world.

Please join us on Thursday, February 7, 2013 at 7 pm at Thornhill  for what promises to be a fascinating evening with this talented artist as he discusses the challenges and joys of creating his work and his fascination with “the effects of light on the world around us”. 

You can read more about Scott and see examples of his stunning artwork on his website by clicking here.

 

 

A Few Very Important Reminders!

You may have noticed our lovely new header, which is a detail of a painting by our Nature Artists’ Guild Holiday Exhibit Featured Artist, Nancy Pienta Thyfault. Please click on the “Current Featured Artist” tab above to enjoy more of Nancy’s wonderful work and to learn more about her!

Speaking of our Holiday Exhibit, tomorrow (Saturday, September 29, 2012) is the last day to send in your completed prospectus if you plan to participate. If you are a current member, you should have received your prospectus by mail or e-mail in late August.  Please contact one of the Exhibit Co-Chairs, Barb Denny or Karen Johnson (you can find their contact information in your Yearbook) if you have any questions.

Next Thursday, October 4, 2012, the Nature Artists’ Guild is very honored to welcome award-winning watercolor artist Heeyoung Kim, presenting “Science of Watercolor Brushstrokes”.  It promises to be a very exciting and informative program, and we hope to see everyone there (guests and visitors are welcome)! Please scroll down to read more about Heeyoung and her artwork.

Heeyoung Kim, Science of Watercolor Brushstrokes, October 4, 2012

On October 4, 2012 ,  the Nature Artists’ Guild of The Morton Arboretum welcomes Heeyoung Kim, presenting the “Science of Watercolor Brushstrokes” at the Thornhill Education Center from 7 to 9 pm.

As Heeyoung explains,

Painting watercolor botanicals on hot-pressed watercolor paper is quite different from other types of watercolor paintings. It requires extreme control over the amount of water and brush strokes. It is all about the interacting process of water, paint, and paper, which can be explained scientifically, but in a very simple way.  The only or main tool for this whole process is the brush and the artist is the facilitator, in my personal point of view, who should create the best working environment for the tool and media. Working with transparent watercolor on hot-pressed watercolor paper is so sensitive that every single brush stroke is seen through or affects the next steps. Therefore, understanding how the brush works is critical in creating successful watercolor botanical paintings.

Fringed Gentian, Gentianopsis crinita, © Heeyoung Kim

Botanical artist and instructor Heeyoung Kim was the gold medal winner of the Royal Horticultural Society London Botanical Art Exhibition in March, 2012.  She has shown her works in ASBA/HSNY International Juried Botanical Art Exhibitions (2008, 2010, 2011, 2012 – Honorable Mentions Award, 2010, Award of Merit, 2011), 13th Hunt International (2010), and Losing Paradise? Endangered Plants Here and Around the World (2009-2011).  You can view more of Heeyoung’s beautiful artwork on her website, prairieplantart.com.  

 Guests and visitors are welcome to join us for this wonderful program!  Please ask for directions to Thornhill as you enter the Arboretum gate.

Not So Scare(y)crow!

We don’t know whether she kept any birds away from any crops, but last year’s Nature Artists’ Guild’s debut scarecrow, Patty Painter, was certainly the most stylish one at The Morton Arboretum’s annual Scarecrow Trail, displayed near Meadow Lake all through October!

2011 Nature Artists’ Guild Scarecrow, Drawing by Patty Koenigsaecker

This year, the Nature Artists’ Guild is doing it again, and the theme, contributed by member Connie Devendorf, will be “Flower Fairy”.  We’ve asked costume designer and member Patty Koenigsaecker to once again come up with a sketch, but we’ll need lots of help to pull it all together.

Assembly of the scarecrow will take place at our Holiday Exhibit Fundraising Workshop (more details coming soon), on Saturday, September 15, (drop in downstairs at Thornhill any time between 10 am and 3 pm), along with all of our other workshop activities.

Workshops are always a lot of laughs and a wonderful way to spend some time getting to know your fellow Nature Artists’ Guild members!  Please join us!

Patty Painter and friends, 2011 Nature Artists’ Guild

The “Artist Trio” at the Next Nature Artists’ Guild Meeting, August 02, 2012

The Nature Artists’ Guild is proud to present one of our most popular meeting formats next Thursday,  August 2, 2012, from 7 to 9 pm at Thornhill.   This year, our “Artist Trio”  will include Fran Kelly, Carol Jean Rogalski, and Laverne Bohlin.  All three presenters are instructors in the Morton Arboretum’s Botanical Art and Illustration Certificate Program, as well as Nature Artists’ Guild members.

You will have a chance to learn the technique of painting dew drops and rain drops in watercolor when you stop by Fran Kelly’s demonstration.  Carol Jean Rogalski will offer insights into the history, techniques and materials, both historical and modern, of Illumination.  Laverne Bohlin will be presenting us with some techniques in developing gorgeous pastel landscapes.

This promises to be a fun, informative and somewhat informal meeting, where you will have the chance to try different materials, learn about different techniques, and interact with your fellow Nature Artists’ Guild members.  Please join us!

Lynda Wallis, Drawing from Nature, June 07, 2012 at Thornhill

Please join us on Thursday evening, June 7 from 7 until 9 at Thornhill for a special program titled “Drawing from Nature”, featuring freelance artist Lynda Wallis.

Lynda is not only talented, but also a wonderfully versatile artist.  Her talents range from beautifully detailed illustrations of nature, including graphics featured on art maps and signs for many natural areas, to peaceful plein-air paintings.  Lynda’s artwork encompasses a wide variety of media, including pen and ink, watercolor and colored-pencil.

You can view numerous examples of Lynda’s artwork on her website, www.freelanceillustrations.com.  We’ve also heard from reliable sources that Lynda gives a warm and humorous presentation, so please join us for an enjoyable evening!

Paper and Collage with Laura Lein-Svencner, March 1, 2012

Please join us at our next Nature Artists’ Guild formal meeting, on Thursday, March 1, 2012 at Thornhill from 7 to 9 pm, as renowned collage artist Laura Lein-Svencner shares her passion for paper!

Laura Lein-Svencner’s love of paper has led her to pursue studies in drawing, printmaking, sculpture, papermaking and collage, and has motivated her not only to co-found the Midwest Collage Society, but also to teach and exhibit in various venues throughout the Midwest.

Shoreline 4 © Laura Lein-Svencner

Laura’s website describes her collage work as beginning with paper, “from handmade with the plants from her backyard to found papers that are crinkled, sanded and repurposed. Textures are formed with gesso and molding pastes. Layers of gloss medium are added to the papers surfaces for added strength and protection. In creating the collages Laura uses a technique where each side of the paper is coated in a polymer medium and after they are dry, fusing is done with a tack iron to hold each piece in place. She delights in exposed raw edges of torn paper, and visual entries flow out of self discovery.”

You can read more about and view images of Laura’s fascinating work by following these links – website, blog.